Paula Rego's Map of Memory: National and Sexual Politics
Category: Kindle Store,Kindle eBooks,Arts & Photography
Paula Rego's Map of Memory: National and Sexual Politics Details
This title was first published in 2003. The artist Paula Rego was born in Portugal but has lived in Britain since 1951. In this well-illustrated book, Maria Manuel Lisboa explores the background behind Rego's decision to leave the land of her birth and, in doing so, provides fascinating insights into Rego's persistent portrayal of uneasy and predatory relations between men and women. Looking back over the national, religious and sexual politics of Portugal during Rego's childhood under the shadow of the Salazar dictatorship and subsequently, Lisboa locates the origins of the artist's preoccupation with power and powerlessness, violence and abuse within the political and ideological status quo of Portugal, past and present. The author's clear and thoughtful analysis offers an ambitious contribution to the study of patriarchy, Catholicism and Fascism and their expression in the work of this artist.
Related
- Keith Haring
- Childe Hassam - Paintings & Drawings (Zedign Art Series)
- Studies in the Art of China and South-East Asia, Volume 2
- Childe Hassam: Selected Paintings
- The Three Perfections: Chinese Painting, Poetry, and Calligraphy
- LMS Integrated for MindTap Communication, 1 term (6 months) Printed Access Card for Wood's Communication Mosaics: An Introduction to the Field of Communication, 8th
- Bundle: Communication Mosaics: An Introduction to the Field of Communication, 6th + WebTutor™ on Blackboard Printed Access Card
- Keith Haring Blank Book
- Love
- The Magazine Antiques December 2004 George Stubbs, Childe Hassam, Oriental Carpet, Explorers Club, New York City, Haverhill Corner, New Hampshire
Reviews
This is a beautifully written and insightful analysis of Paula Rego's important body of work. The author is particularly good at linking the artist's themes and imagery to the personal, political, and social events that influenced them. Gloriously free of post-Modern jargon and wordplay, it's an enjoyable and challenging read from start to finish. The reader doesn't have to agree with Lisboa's multifaceted interpretation of every painting or pastel to appreciate her intelligence and breadth of knowledge. I would recommend it highly to anyone interested in Rego, contemporary art, or the psychology of artistic expression.